Previously unseen photos said to be from the 1967 Detroit riots suddenly surface and are dangled in front of an earnest, overworked journalist who just happens to be writing an expose on one of the central political figures from those fateful days. Getting her hands on the photos will depend on her ability to connect-the-dots on some old family relationships — is she up to the task? This is the intriguing “hook” laid out in the opening of “We Hope for Better Things.” Racial tensions, family secrets, political coverups, journalists struggling to overcome fake news - - Can’t wait to read the rest!