No compelling reason to turn the page

filled star star unfilled star unfilled star unfilled star unfilled
juliecracchiolo Avatar

By

I wasn’t sure what to expect when I requested this book from Bookishfirst.com. Like most everyone else in the world, I adored Louisa May Alcott’s “Little Women” and was excited to see what author Morrow would do with it. Well, the cover gives part of it away, but, still, I was curious as so what Morrow would do with the story.

The timeframe was consistent, the American Civil War (1863-1866). But instead of a poor Northern family with their father serving as a chaplain in the Union Army, the March family is living in North Carolina in the Freedpeople’s Colony of Roanoke Island. As a history nerd, I was confused. Every time I read Roanoke, I immediately thought of the attempt by the English to establish a colony on the island in 1587. I had no idea that after the English settlers disappeared, the island became a haven for freedpeople of color. Some background would have been nice, but the story structure really didn't lend itself to a backstory of this nature.

Another thing that confused, and somewhat irritated me, was the title the sisters used to refer to their mother. In the Alcott version, it was Marmee, but in this version, it was Mammy. The first time I read it I was offended, but then quickly realized the timeframe of the story. However, the etymology of “Mammy” is “black woman having the care of white children.” That didn’t fit the story to me at all, but in hindsight, maybe that was what Mammy did before they escaped to the Freedpeople’s Colony, but it’s unclear to me.

The girls seemed both different and alike to Alcott’s version. However, there was something about them that didn’t allow me to care much about them. There was a lack of tension throughout the book, no compelling reason to turn the page---and that is what prompts me to say that “So Many Beginnings: ‘A Little Women Remix’” receives 1 out of 5 stars in Julie’s world.